Tag Archives: Alain Bouchet

Paris Blues & Highs

I was down in London yesterday to interview the mysterious jazz singer and guitarist Madeleine Peyroux whom I last interviewed by phone in 2005, just as her cultish CD Careless Love was on the verge of exploding into the mainstream (it topped the charts in August of that year).
One of the main subjects we chatted about was Peyroux’s time as a busker in Paris. Turns out she was there, singing and working as the “hat passer” for a group of street musicians in and around the Latin Quarter at exactly the same time as I was bunking off my 12-hour week as an English language “assistante” to go and watch old movies in the Latin Quarter – the cinemas in the rue des Ecoles, to be precise. (I do have a vague recollection of listening to a group of jazz-playing buskers at the St Michel fountain – and I may have bought a tape of them…)
I probably saw more old movies on the big screen during that year than in the rest of my life: they showed seasons devoted to the Marx Brothers (and you haven’t lived until you’ve watched Duck Soup in the company of like-minded strangers), Ernst Lubitsch, Billy Wilder, Astaire and Rogers, Frank Capra. This was where I saw Love in the Afternoon the one and only time ever, and ogled William Holden up close (in Sabrina) for the first time…
That year in France was one of abject poverty – until I got myself a summer job. But despite having no money, I did alright in the jazz stakes. During a trip back to Glasgow, I went to a concert at the late, lamented Glasgow Society of Musicians, a cavernous club, reeking with history (I think that’s what it was, anyway) behind an anonymous, speakeasy-style door on Berkeley Street. There I heard the American cornettist Warren Vache who struck up a conversation with my father and me. Upon learning of my imminent return to Paris, he told me to contact a pal of his, the trumpeter Alain Bouchet. And so I found myself at my first Parisian jazz club, nursing one Perrier (shared with my pal Siobhan) from 10pm-2am and then having to stay awake in the Pub St-Germain-des-Pres until the first RER train back to the suburbs at 6am. (Taxis were not an option – they cost money.) These were the lengths I had to go to back then to get my jazz fix.
I almost overdosed a couple of months later when, at the height of the Parisian summer, I crossed the city to attend the jazz festival at La Villette, the old abattoir, which, for one magical night, played host to the Newport All-Stars (with Warren, Scott Hamilton, etc) and the Re-birth of the Cool band, led by the great Gerry Mulligan – whose Glasgow concerts four years earlier had converted me from dabbler to devotee of this music….
* Madeleine Peyroux’s new CD, Bare Bones, is out now on Decca/Rounder – and my interview with her should be in The Herald Magazine on Saturday May 9th…

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