Sometimes fate takes a hand – at just the right moment. There I was (well, here actually – at my desk), despairing about the choice of CDs awaiting me when I heard a dull thud in the hallway. It was the arrival of a package containing .. my salvation: the new CD by my favourite guitarist, singer and raconteur Marty Grosz. I knew I’d enjoy my reviewing..
And I did. This new album, Hot Winds – The Classic Sessions (Arbors Records), finds Grosz in fine form – and no wonder, he’s playing his own distinctive , fresh arrangements of mainly 1920s & 1930s tunes with five of his most like-minded pals (among them clarinettist Dan Block, bassist/bass saxist Vince Giordano and multi-instrumentalist Scott Robinson). This lot clearly enjoyed recording together Indeed, Grosz told me: “I had more fun with this group than any other I can think of.”
Mind you, fun is an integral part of jazz for Grosz and his devoted fans. He has always believed that audiences want to be entertained and that jazz shouldn’t be a po-faced affair. He grew up with swing bands whose leaders were characters and put on a show. Grosz’s USP is his razor-sharp wit which flourishes both in the solo setting – noone can introduce a song like him; an introduction can become a surreal stand-up routine – and alongside such favourite sparring partners as the clarinettist/saxophonist Ken Peplowski. (Together, they’re the Matthau and Lemmon of the jazz scene.)
If you’re lucky enough to find that Marty Grosz is playing at a jazz club near you, make sure you take along one of the un-converted: his music is about as accessible as you can get. And his “act” is the best tonic for these dreary times.
More on Grosz at a later date, but to read about the Hot Winds recording session in depth, visit the Jazz Lives blog – www.jazzlives.wordpress.com