‘Tis autumn, and if ever there were a stylish, autumnal film it’s Charade (1963), the super-sexy thriller-cum-rom com which stars Audrey Hepburn, Cary Grant, Paris, Henry Mancini’s wonderful music and a fabulous array of Givenchy clothes – far more than we see in Breakfast at Tiffany’s. Here’s our first glimpse of Audrey’s character, Reggie – sporting ski-wear, sixties-style. (In case you’re wondering, she’s sitting outside an indoor swimming pool!)
Reggie returns from her ski trip to find that her apartment as been stripped of all her possessions. Luckily, she had obviously taken all her new season outfits on holiday with her.. Here’s the first of the 12 ensembles we see her in during the rest of the film.
If you’re in the market for a new coat, and you like the streamlined, unfussy 1960s look, Charade is a great source of inspiration. My own favourite ensemble from the film is the one Reggie wears when she visits Walter Matthau’s character at the American Embassy for the first time: the coat is tomato red, funnel-necked with bracelet-length sleeves and it’s teamed with a leopard print hat, long black gloves, black kitten heels and a black patent bag. You can glimpse it in this trailer:
For a post-funeral night on the town, newly-widowed Reggie is a vision of elegant simplicity – a little black dress and little black bolero jacket, and minimal jewellery. You can’t see it in the only photo I could find of the frock, but it has a sparkling black peplum waist and matching trim round the hem..
Doing her damnedest to be inconspicuous as she follows the Cary Grant character, Reggie dons that well-established uniform of the private eye – the raincoat. But few private eyes ever looked as chic (or conscipuous!).
The beige dress with the deep black waistband which Reggie was wearing under her raincoat sums up the sublime simplicity of her Charade wardrobe.
I’m not mad-keen on the white hat in the next outfit but Audrey carries it off beautifully, of course. Here’s the ensemble she wears when she drops her ice cream cone during a stroll along the banks of the Seine.
Who said navy blue and black couldn’t go together? Reggie shows us how to do it in style in the final scenes from Charade, where her navy suit is accessorized with black shoes and a black bag, balanced out by the white hat and gloves from before. You see – Charade is not only an exercise in sparkling comedy; it’s also a master-class in style.