I hope none of my girlfriends reads this review. Why? Because it’s about a book which should be in the Christmas stocking of every chic movie lover and every Audrey Hepburn admirer – and I know a few.
To be honest, Breakfast at Tiffany’s, the 1961 film which transformed Audrey Hepburn from stylish gamine into style icon, is not this movie fan’s favourite Hepburn movie. With a heroine, Holly Golightly, whose “kookiness” irritates and enchants in equal measure, its outrageously offensive and ill-judged portrayal of a Japanese character (by an OTT Mickey Rooney) and its slightly wooden leading man (George Peppard), it’s far from perfect but, as author Sam Wasson points out, it was still a gamble which paid off – for almost everybody concerned – and a film which bridged the gap between the prudish Hollywood output of the 1950s and the more relaxed movies of the sexually-liberated 1960s.
In Fifth Avenue, 5am, Wasson skilfully weaves together all the many strands of the creation of this much-loved movie into a book which is, at times, irritatingly kooky itself (he even adopts Holly Golightly’s habit of dropping des mots francais into the prose) and sometimes unfairly dismissive (he writes off Hepburn’s subsequent film Charade in one line, while the Alastair Sim comedy Laughter in Paradise is, he says “regrettable” apart from the short scene which introduced the beguiling Hepburn to the world.
Nevertheless, the story of the film is a rivetting one: considered simply too risque (Holly is a happy-go-lucky hooker) for audiences who were used to seeing bad girls being punished and only good girls getting the guy and the happy ending, it faced all sorts of obstacles. And one of the major ones was in persuading the practically perfect Audrey Hepburn to take a chance on playing a part which author Truman Capote had wanted for his friend Marilyn Monroe.
Wasson takes as his starting point the story behind Capote’s creation of the original novella Breakfast at Tiffany’s. Capote’s flighty mother, Lillie Mae, who routinely abandoned him in their native Alabama as she was lured back to the bright lights and rich men of New York, was part of the inspiration for the character of Holly (nee Lula Mae) – along with some of the once wild, now tamed society women whom Capote counted as friends and confidantes.
Alongside the gradual evolution of Holly’s story and the birth of Breakfast at Tiffany’s the movie, Wasson describes the asteroid-like early career of Audrey Hepburn who shot to fame and won an Oscar for her first Hollywood film, the sublime Roman Holiday. While her career was on the ascent, her personal life in the 1950s was punctuated by miscarriages and disappointments – and her husband, Mel Ferrer, as sketched by the anecdotes included here, was a control freak who was jealous of his wife’s success and scolded her in public if she didn’t behave as he expected her to.
Their relationship – his dominance and influence over her; her capitulation and deference to him – moves centre stage late in the book when Wasson reveals that Ferrer’s opinions about Holly Golightly and his wife’s portrayal of her began to interfere with Hepburn’s own instincts, and those of director Blake Edwards.
Indeed, as well-documented as Hepburn’s life and career may be, hers is a particularly compelling strand of Wasson’s book, and his description of how she must have been feeling – an evocation drawn from a number of reliable sources (there is a vast, and extremely readable, notes section at the end of the book) – when she began filming outside Tiffany’s at dawn on October 2, 1960, is quite moving.
A new, first-time mother, she had had to leave her ten-week-old baby on another continent to play a part she wasn’t sure she could pull off and which could, potentially, tarnish her carefully constructed and trusted screen image once and for all. Where we see an impossibly elegant swan
gliding around the pavement of Fifth Avenue, Hepburn herself was a bag of stomach-churning nerves.
That’s just one of a tidal wave of behind-the-scenes insights in this chatty, highly enjoyable book which sheds light on every aspect of Breakfast at Tiffany’s – from the fashion, for which it is legendary, and Hepburn’s relationship with Parisian couturier Hubert de Givenchy, to the ways in which Capote’s story had to be adjusted and altered to fit the requirements of a 1961 Hollywood film.
* Fifth Avenue, 5 AM – Audrey Hepburn and Breakfast at Tiffany’s (Aurum, £14.99), by Sam Wasson