Yesterday I was at a press screening of the most gorgeous-looking film I’ve seen this year. Carol is its title, and it was directed by Todd Haynes – who also directed the similarly ravishing-looking Far From Heaven back in 2002. To be honest, I wasn’t really convinced by the characters or gripped by the plot but I was utterly seduced by the autumnal palette, slightly grainy film and – most of all – the way the two central characters, socialite Carol (Cate Blanchett) and young department store clerk Therese (Rooney Mara), looked. (Scroll to the end of this post for more images plus trailer.) Anyone who loves and appreciates 1950s style and beauty, as I do, will not be able to take their eyes off the screen!
The plot centred on the love affair between these two women – and it was a bit like watching Grace Kelly and Audrey Hepburn (in Sabrina – pre-Paris transformation) getting together. They both look amazing in clothes designed by costume designing legend Sandy Powell: Blanchett sports chic suits or fitted dresses with silk scarves and elegant jewellery, tidy little hats and a ubiquitous mink, while Mara wears simpler, gamine gear. (Indeed, the pinafore-turtle neck combo she sports for Christmas in the country is a direct lift from Sabrina.)
In an interview earlier this year, Blanchett said: “The mink was old and it kept falling apart. Between takes, Sandy Powell the costume designer, would sew it back together by hand. I considered changing coats, but when you find the right thing, you know immediately. That coat was the one to tell Carol’s story. It was perfect.”
Just as perfect and every bit as striking was the make-up look created for Blanchett by her regular movie make-up artist Morag Ross, who told the MakeUp411 website: “The character of Carol Aird was a sophisticated, wealthy woman, so the make-up and hair had to reflect that. As was the norm of the period, she was always made-up and lipsticked, always put-together and elegant when in public. When the two women go on their road trip the look became more relaxed and free.
“Cate’s look really came together with the immaculate and stunning hairdressing by Kay Georgiou. We took our inspiration from period photos of Grace Kelly who, of course, always seemed effortlessly elegant and beautiful, and we made our aim to channel that kind of look and feeling.” Carol’s coral-red lips, says Ross, were painted with Chanel’s Rouge Allure Lipsticks in Coromandel and Incandescente (used on the middle of the lower lip), while her nails, throughout the film, sport the Lilis shade of Chanel Le Vernis.
And Blanchett’s verdict on her make-up also referred back to Chanel. She said: “I had to pluck my eyebrows nearly every day to achieve that very stern look. I just hated it. I much prefer a natural approach to beauty. You know, Coco Chanel always said to take one thing off before you leave the house, and I think that also applies to makeup.”