I spent last week with my jazz critic’s hat on (though it was a bit warm for a beret..), as I was covering the Edinburgh Jazz Festival for Scotland’s two quality broadsheets.
However, the week got off to a glamorous start when I attended my friend Merle’s royal-themed 40th birthday party. A couple of months ago she suggested that I come as Grace Kelly and the more I thought about it, the better an idea it seemed – especially when I remembered that I have a floral-patterned, full-skirted, calf-length Zara dress which always reminds me of the frock Grace was wearing when she was introduced to Prince Rainier. The bonus was that I could wear this to my gigs (the second of which, appropriately, was a tribute to Louis Armstrong, Grace’s co-star in High Society) and not look ridiculous. I just stuck on fancy headband as I was leaving the concert, and, voila, my Kelly look was complete.
Of course, channelling Grace Kelly in the 1950s was easy – as it’s completely inkeeping with one of my favourite looks: a natural-looking eye make-up and coral-red lips. Luckily, my favourite coral of this summer, Estee Lauder Pure Color Longlasting Lipstick in Coral Sun (£18; www.esteelauder.co.uk), hadn’t yet melted on Saturday. By Thursday, it had come a cropper in the Edinburgh heatwave, and it’s now un-usable. Here’s a pic of me in character; my friend, the singer and concert promoter Todd Gordon, plays the part of Frank Sinatra rather well!
Beige is boring, pink is too/ Only navy nails will do … (apologies to Kay Thompson’s Think Pink song from Funny Face).
I fell in love on Tuesday, in Edinburgh …. with midnight blue nail varnish, two in particular: Dior Vernis in Tuxedo (£17.50, from August 16) and an old one that I discovered I’d never tried – Chanel Le Vernis in Blue Satin (£17.50; for stockists call 020-7493 3836). They both look fantastic with my colouring (much better than the brownish metallic shades which are also going to be big for autumn) – and, I think, a lot more chic than black or grey. I am definitely a convert.
Oh, and in case you’re wondering who the fabulous-looking woman is in the photo – that’s an American singer by the name of Clairdee, with whom I bonded over beauty tips and style secrets (when we were supposed to be discussing jazz!). She’s got THE most amazing skin, so watch out for her recommendations and advice on this blog over the next few weeks.
Oooh, it’s not too late – I hope – to get your mitts on the exquisite eyeshadow quartet which Chanel brought out about six weeks ago, as part of its limited edition Byzance de Chanel collection which is exclusive to its make-up studios in Frasers, Glasgow; Fenwicks, Newcastle and Selfridges, London.
Chanel Quadra Eye Shadow in Topkapi (£37) is a thing of beauty; very easy to wear and to adapt to either a low-key look or full-on glamour. Though it does seem a shame to muss up the quilted boules of colour..
I got hooked on the top two shades last week for daily wear – and plan to wear them instead of some of the (frankly, rather disappointing) autumn shades I’ve been sent …
As if by magic, the perfect companion to the Topkapi quartet was also in my make-up bag for the jazz festival: the limited edition Estee Lauder Pure Color Liquid Eyeliner (£19), from its new Modern Mercury collection, is a wonder: a liquid eyeliner which is as soft as a child’s crayon, and glides across the eyelid without dragging. In fact, you barely feel it making its mark.
I’ve been using the Black Quartz shade (can’t wait to try Graphic) which has a subtle sparkle through it and provides a considerably less harsh line than the average pure black liner. Of course, you can build it up for a dramatic look, or play it down for a softer one. The only drawback is it feels a little sticky once applied – on me, anyway.
And, speaking of makeup bags: I finally broke my bad habit of finding myself with my business cards because I’ve changed handbag. My new tip? I’m keeping my business cards in my make-up bag. After all, I never leave home without it!